A stranger arrives to the small town of Passo Fundo, south of Brazil. And he’s on a manhunt of a killer that turns in a giant drug conspiracy running by an international conglomerate.
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Jonny dreams of leaving his dead-end job as a courier. Through his childhood best friend, nephew of the notorious crime lord Ray Kreed, he wins his way into the toughest gang in North London. Hungry for action, Jonny sparks a feud between Ray’s gang and a rival firm in South London headed by drug kingpin Sean and his lieutenant Matthew.
A high school outcast who lives in a trailer with his mother finally meets a friend. He wants to ask her if they can go the next step, but then sees her kissing another boy at a party. He runs home only to find his mother having sex with a drunk. He starts yelling, but is countered by the drunk when he suffocates him and makes him look like he hung himself. The scarecrow comes in when the boy’s soul is pushed into it. He goes out for revenge.
In the glamorous world of New York City, Rebecca Bloomwood is a fun-loving girl who is really good at shopping-a little too good, perhaps. She dreams of working for her favorite fashion magazine, but can’t quite get her foot in the door-until ironically, she snags a job as an advice columnist for a financial magazine published by the same company.
Pastry chef Helena poisons men who don’t meet her high standards. Her fiancé Charlie has nothing to worry about, at least until his sister Becca becomes suspicious of Helena’s culinary killing past. It’s up to Becca to save Charlie from both the altar and the grave.
Out-of-control, trash-talking buddy cops Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force reunite, and bullets fly, cars crash and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Marcus discovers that playboy Mike is secretly romancing Marcus’ sexy sister.
Cheech and Chong are hired to drive a limo from Chicago to Las Vegas by two shady Arabs – Mr. Slyman (Cheech) and Prince Habib (Chong). Unbeknownst to them, five million dollars of dirty money has been stuffed throught the car.
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus’ rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
Gino Felino (Steven Seagal) is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his Partner was someone’s mistake, because he’s now Out For Justice.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.