Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
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Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.
Based on a True Story War Eagle, Arkansas is a character-driven drama about a young man’s choice of whether to leave his family and friends for a career in baseball or stay and redeem his struggling community. The story takes place over a few pivotal weeks in the summer after Enoch Cass’s senior year, and is set against the backdrop of Arkansas’ beautiful Ozark Mountains. War Eagle, Arkansas poses important questions that face all young people in rural America. The answers we find could touch us all.
Father and son coroners who receive a mysterious homicide victim with no apparent cause of death. As they attempt to identify the beautiful young “Jane Doe,” they discover increasingly bizarre clues that hold the key to her terrifying secrets.
Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact revenge. A simultaneously beautiful and terrible examination of the destructive nature of cause and effect, and how time destroys everything.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
After her husband, Carl (Luke Wilson), suddenly leaves, Joline (Heather Graham) travels from New York to Texas to track him down. Although Joline tries to remain upbeat, she is discouraged when she discovers that Carl already has a new girlfriend, the lovely Carmen (Patricia Velasquez). Familiarizing herself with Carl’s new home and friends, Joline gets company in the form of her brother, Jay (Casey Affleck). Will Joline win Carl back, or are there other romantic possibilities on her horizon?
Four loser gangsters devise a scheme that is eviously ingenious (or profoundly stupid): to disguise a minibus as a police vehicle to rob cross-border rucks that carry human carcasses with money inside. The ploy kicks into action one evening in the New Territories, and the plot thickens with spooky and deadly encounters, including one with an identical police car – also a fake, but manned by killer gangsters who are after the same dead bodies.
Michael Wolffsen (Tyler Mane) receives an urgent phone call and takes his nephew and fiancee and makes the journey home to his only other living relative: his estranged, eccentric (and extremely paranoid) father, Gary (Muse Watson), who is obsessed with building an unassailable compound. Once they arrive at Gary’s modest home, surrounded by acres and acres of grounds full of cameras and other security sensors, Michael is surprised and concerned to learn that his father is in the early stages of dementia. The house is now also covered in supernatural and occult symbols. Welcome to the compound, COMPOUND FRACTURE. Will the stronghold that was designed to save them be their everlasting tomb?